As one of the young demonstrators observes of her predecessor: “All the hardships he endured seem to be repeating in our generation. The past is presented in fictional scenes, with today’s activists playing those of yesteryear. Some still burn with righteous fire, while others are disillusioned or have been bought off by the system. He shows how the activists of then are faring now. In four chapters, Chan looks back at previous moments of resistance and revolution on the island: in 1967, 1973, and 1989. “A desperate attempt to capture the final moments of a sinking island”, as maker Chan Tze-woon himself puts it. The film likes to linger on characters in static close-ups, and viewers will have many opportunities to soak in razor-sharp skin details, wonderful clothing. This mix of documentary, fiction, and visions of the future reveals the current state of desolate depression among the people of Hong Kong. Large-scale protests by the populace have been brutally suppressed. Although the Chinese government promised that Hong Kong would retain separate status until 2047, in recent years the Chinese state has consolidated its power over the metropolis.
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